Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Miranda, Juan Carreno de 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
64294 barnabe' de ochoa de chinchetru yfernandez de zuniga Miranda, Juan Carreno de barnabe' de ochoa de chinchetru yfernandez de zuniga 1660 new york, hispanic society of america
87378 Belshazzar's Feast Miranda, Juan Carreno de Belshazzar's Feast 17th century Medium Oil on canvas cyf
43810 Charles II as Grandmaster of the Golden Fleece Miranda, Juan Carreno de Charles II as Grandmaster of the Golden Fleece 1677 Oil on canvas, 217 x 141 cm
32938 Charles II As Grandmaster ofthe Golden Fleece Miranda, Juan Carreno de Charles II As Grandmaster ofthe Golden Fleece mk84 1677 Rohrau, canvas 217x141cm
32281 Duke of Pastrana Miranda, Juan Carreno de Duke of Pastrana Oil on canvas, 217 x 155 cm
32284 Eugenia Martinez Valleji, called La Monstrua Miranda, Juan Carreno de Eugenia Martinez Valleji, called La Monstrua Oil on canvas, 165 x 107 cm
32279 King Charles II of Spain Miranda, Juan Carreno de King Charles II of Spain c. 1650 Oil on canvas, 78 x 65 cm
32285 La Monstrua Desnuda Miranda, Juan Carreno de La Monstrua Desnuda Oil on canvas, 165 x 108 cm
77695 La reina Mariana de Austria de luto Miranda, Juan Carreno de La reina Mariana de Austria de luto Date 1669(1669) Medium Oil on canvas Dimensions 211 ?? 125 cm (83.1 ?? 49.2 in) cyf
32924 Mass of St.Fohn of Matha Miranda, Juan Carreno de Mass of St.Fohn of Matha mk84 1666 Paris,Musee du Louvre,canvas 500x315cm
19456 Peter Ivanovich Potemkin Miranda, Juan Carreno de Peter Ivanovich Potemkin 1681-82 Oil on canvas Museo del Prado, Madrid.
28094 Peter Ivanovich Potemkin Miranda, Juan Carreno de Peter Ivanovich Potemkin mk61 c.1681-1682 Oil on canvas 204x120cm
78205 Portrait of a lady with a lapdog and pistol Miranda, Juan Carreno de Portrait of a lady with a lapdog and pistol ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf
19455 Portrait of Charles II Miranda, Juan Carreno de Portrait of Charles II 1676 Oil on canvas Museo del Prado, Madrid.
28093 Portrait of Charles II Miranda, Juan Carreno de Portrait of Charles II mk61 c.1676 Oil on canvas 201x141cm
56241 portrait of emperor pedro ll Miranda, Juan Carreno de portrait of emperor pedro ll mk247 1855,oil on canvas,private collection
83609 Portrait of Francisca de Velasco Miranda, Juan Carreno de Portrait of Francisca de Velasco 17th century Dimensions 2.4 x 1.82 cm (0.9 x 0.7 in) cyf
77926 Portrait of Queen Mariana de Austria as a Widow Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow Date 1673(1673) Medium Oil on canvas Dimensions 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cyf
81483 Portrait of Queen Mariana de Austria as a Widow Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow 1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf
79015 Portrait of the Duke of Pastrana Miranda, Juan Carreno de Portrait of the Duke of Pastrana Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
79704 Portrait of the Duke of Pastrana Miranda, Juan Carreno de Portrait of the Duke of Pastrana Oil on canvas Dimensions 213 x 123 cm (83.9 x 48.4 in) cyf
84378 Portrait of the Duke of Pastrana Miranda, Juan Carreno de Portrait of the Duke of Pastrana Date 1666-70 Medium Oil on canvas Dimensions 217 x 155 cm (85.4 x 61 in) cjr
84288 Queen consort of Spain Miranda, Juan Carreno de Queen consort of Spain 17th century Medium Oil cyf
19454 Saint Sebastian Miranda, Juan Carreno de Saint Sebastian 1656 Oil on canvas Museo del Prado, Madrid.

Miranda, Juan Carreno de
Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
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